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This piano piece
was commissioned by Palma Ceia Presbyterian Church in Tampa. While I
was writing it, I was thinking fondly of my now departed composition
teacher Robert Helps. Though it doesn't rely on his techniques or quote
any of his material, it does bear some resemblance to his Hommage á
Fauré.
Piano solo |
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Nocturne
David Matthews, piano
Purchase Nocturne from Kurt
Knecht |
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The Ten Plagues
are little color pieces for woodwind octet. The work is set up with
four divisions according to a rabbinic tradition.
1 Blood - 2 Frogs - 3 Flies
4 Noxious Creatures - 5 Pestilence - 6 Boils breaking out into Blisters
7 Hail and Fire - 8 Locusts - 9 Darkness
10 The Slaying of the Firstborn |
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The Ten Plagues
1. Blood 2. Frogs 3. Flies
4. Noxious Creatures 5. Pestilence 6. Boils
7. Hail and Fire 8. Locusts 9. Darkness
10. Slaying of the First Born
Purchase The Ten Plagues from
Kurt Knecht |
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The Toccata, Passacaglia,
and Fugue for organ was commissioned by Palma Ceia Presbyterian Church
in Tampa, Florida as part of the dedication of their new Cassavant organ.
I played the premiere on January 27th. |
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Toccata, Passacaglia, and
Fugue
Kurt Knecht, organ
Toccata
Passacaglia
Fugue
Purchase Toccata, Passacaglia,
and Fugue
from Kurt Knecht |
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his is a beautiful
little mini-sonata for clarinet and piano. The opening "Meditation"
is a contemplative work that begins with a simple repeated note. The
work progresses by exploring modal harmonies with poignant climaxes.
The subsequent "Ecstasy" is a rhythmically playful work where
contrasting poly-rhythms are the basis for a dialogue between the instruments.
Despite rhythmic motivation, the work still maintains the over-arching
lyric character that unifies the whole work.
Clarinet and piano |
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Meditation and Ecstasy
Amanda Morrison, clarinet
Kurt Knecht, piano
Meditation
Ecstasy
Purchase Meditation and Ecstasy
from Kurt Knecht |
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